When her breathing slows and deepens to the pattern of sleep, he gently lifts her feet out of his lap and settles them on the bed, then slides off and moves to the chair.
He can't do any packing without waking her, but he's got reading to do anyway.
About two hours later, as promised, he sets aside his datareader and moves to wake her.
And she's all business, with her hair pulled back and her own list.
As they walk into Milliways, she's running down their itinerary for the evening: mostly work on the bridge, but after that they'll move into the engine room to make sure the changes on the bridge are being recognized by the systems in the engine room.
He's in there working beside her, sleeves of his oldest shirt rolled up, getting his hands dirty. They don't talk much aside from what's necessary for the job, but it doesn't feel like a distancing.
They've been at it for close to two hours before Simon calls a break, and volunteers to head upstairs to get them dinner.
Simon gets back only a little after she's finished moving; he's brought a bag with hot sandwiches and fried paradoxes and carrot sticks, and a thermos of sweet iced tea. And a second thermos, which he says is "for later".
They find space to sit down, and Simon unwraps everything.
He gets a brief kiss for his trouble, but he doesn't get much conversation over dinner. Kaylee eats with grim determination and no visible pleasure; the whole time she keeps making notes on the task list she's got to hand.
She clears -- it's only fair, she tells him -- and they get back to work.
"If I remember correctly," he says, moving over to the bag, "from the first time you took me on as a mechanic's assistant, there's one important job I still have to do."
He's bending down to pick up the thermos and the bag, and rummaging inside the latter.
After a long beat, something is held up next to the pad: a clear plastic glass filled with a frozen substance, deep pink, smelling of fruit and alcohol.
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And reaches out to gather her sock-clad feet into his lap, rubbing them gently.
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He can't do any packing without waking her, but he's got reading to do anyway.
About two hours later, as promised, he sets aside his datareader and moves to wake her.
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As they walk into Milliways, she's running down their itinerary for the evening: mostly work on the bridge, but after that they'll move into the engine room to make sure the changes on the bridge are being recognized by the systems in the engine room.
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He's in there working beside her, sleeves of his oldest shirt rolled up, getting his hands dirty. They don't talk much aside from what's necessary for the job, but it doesn't feel like a distancing.
They've been at it for close to two hours before Simon calls a break, and volunteers to head upstairs to get them dinner.
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She glances around, a little despairing, toolchest at her feet, and wipes her brow with a long sigh.
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They find space to sit down, and Simon unwraps everything.
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She clears -- it's only fair, she tells him -- and they get back to work.
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It's hard work, as promised, but not backbreaking.
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"I'm beat." Kaylee sounds weary, too. She leans against a bulkhead. "You okay callin' it quits for now?"
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He casts about for something to wipe his hands on; finds a mostly clean rag, and starts to scrub away the grime as he moves to sit down.
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"I think we've earned a little relaxation," he says, glancing at her.
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He's bending down to pick up the thermos and the bag, and rummaging inside the latter.
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"Bring you drinks."
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"You're a bad influence, you know that?"
(But she can't quite hide a smile as she takes it from him.)
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"I learned from the best," he assures her.
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Doesn't seem to be stopping her from drinking, though.
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